| Written by Nisha,
on Monday, 28 July 2008
|
Published in : Culture, Arts |
“It’s a sin to kill a mockingbird.”
 |
The cast at rehearsal with director Christopher
Jacobs (right) |
But it is a virtue to sing a tale of a mockingbird’s death.
Harper Lee did it with her novel, To Kill a Mockingbird, and won a Pulitzer
Prize. Film director Robert Mulligan adapted Lee’s novel for the big screen and
won multiple Oscar awards. Next, the story was dramatised by playwright
Christopher Sergel and since then, many theatrical companies have staged the
play.
Now, Sergel’s To Kill a Mockingbird play is heading to Singapore,
but twisted and amplified through director Christopher Jacobs’ and producer
Sharon Ang’s vision.
So Youth.SG decided to grill Chris, Sharon
and lead actress Yeo Yann Yann!
“This play has been in the list of things I want to do
before I die for a long time.”
Circa 48 years back when Chris first came into contact with
the classic novel. He fell in love with the story, but even more with the lead
character Scout Finch and dreamt of marrying her. His love for the character
grew even more when he watched the award-winning 1962 film adaptation of the
novel as he saw the girl he admired on screen; he thought actress Mary Badham
matched the Scout he had in his head.
Therefore, 48 years later, when producer Sharon approached
Chris with To Kill a Mockingbird, he nearly screamed, “Of course I do!” And
soon the cast came in place, in which the production crew immediately decided
that Yeo Yann Yann (881) is the perfect adult Scout, even Yann Yann thinks so:
“I was like Scout when I was a kid. Though I was quieter than Scout, I was very
wild like her. I was totally a tomboy.”
 |
Producer Sharon Ang
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Passion and prejudice
Unlike the novel, this play will focus on the psychological
dynamics of confrontation between human beings. Thus, the play’s setting has no
specific locale or historical period and will stage a generic communal society,
which all audience can relate to emotionally. Sharon
shared the reason for doing so: “People fixate To Kill a Mockingbird to racial
issues. But when you put down the book and take a look at the theme and issue
from a bigger perspective, you’ll realise that it is about prejudice and
ignorance. Racial (discrimination) is just a representation of the prejudice
problem and its ignorance. But it is just one of the issues.”
 |
Yeo Yann Yann taking the
role of adult Scout Finch |
On the same wavelength, Chris said he wants his audience to
think not about the play, but about themselves and how they relate to humanity.
Partly because of Chris’ appreciation of Harper’s text, he
expects a lot more from his crew, especially in being passionate in what they
do.
Chris might not be able to change the level of their
passion, but one thing he can control is to bring out more than what they are
doing. To do so, he implements theatrical biomechanics.
Developed by Russian actor, director and theatrical teacher
Vsevolod Meyerhold during the 1920s, biomechanics is a form of physical
training that allow actors to think with their bodies and be aware of their
relationship with their fellow performers. This heightens their awareness of
space and rhythm, and improves their psychophysical existence as a ‘malleable
instrument’.
“It works on the principle that the body says as much as the
voice does in transmitting an idea. Meyerhold trained his actors to think with
their bodies or allow their bodies to think at the same conscious level as the
brain. The first thing to do is to teach them to walk again. The true way of
walking is when you do distinctively without thinking,” described Chris.
Chris has even planned for his cast to rehearse without the
lines from their script and to communicate through their body, which the cast
has never tried before.
This play might be crossed out from Chris’ list of things he
wants to do before he dies, but he expects this one to make an impact
philosophically and psychologically.
To Kill a Mockingbird will run from Aug 14-23 at the Jubilee
Hall, Raffles Hotel. Tickets are available from Sistic.
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First full length Turandot in SG
THIS ARTICLE IS PART OF JUL 28-AUG 3 :: The Light Issue
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